Law and Literature
نویسنده
چکیده
True-crime stories of outlaws have been a part of popular culture in England since the Middle Ages. Tales of criminality gained increasing circulation in print through the Old Bailey Sessions Papers (1674–1913) and the “dying confessions” published in broadside form by the Ordinary of Newgate in the eighteenth century.1 The confessional broadsides were designed as warnings for their audience; though sometimes inclined to revel in the details of an offender’s crimes, these exemplary tales of condign punishment typically presented their narrators as penitent reprobates, and they
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